Showing posts with label book review. Show all posts
Showing posts with label book review. Show all posts

Thursday, 23 August 2012

A Dark Age Life? Alex Woolf on Æthelstan, the First King of England

Alex Woolf writes:

English history before the Norman Conquest of 1066 has something of the flavour of a back-story. Like those early parts of a Harry Potter novel that occur before Harry returns to Hogwarts, it is necessary for understanding what follows but it is not really part of the story. English kings are only numbered from the Conquest (though this is a strange coincidence, the first king to be numbered thus was Edward III) and the proverbial assertion of  ancestral antiquity is that one’s forebears ‘came over with the conqueror’. Before this comes the Anglo-Saxon period which is a curious in-between time, traditionally known as the Dark Ages, that separates the Roman period from the Middle Ages proper. Over the last generation or so there has been a concerted effort by scholars working in the field to bring it in from the dark and terms such as Late Antiquity, covering the period up to about 650, and the Early Middle Ages, more vaguely defined, have gained wider currency. Beyond the core of specialists, however, even amongst other academic historians, surprise is still sometimes expressed that we who work on the period before the middle of the eleventh century regard ourselves as medievalists; the Middle Ages, surely, was a world of knights in armour, castles, cathedrals and crusades?

While the Norman Conquest has always provided an easy hook upon which to hang the changes of the eleventh century in England, these changes were not confined to one country alone but affected all of western Europe to a greater or lesser degree. The Feudal Revolution, which saw serfdom replace slavery and the rise of manorial estates, provided the economic basis for a greater degree of professional specialisation reflected in the rebirth of towns and the appearance of merchants and craftsmen who had their own households quite distinct from the farming communities where the bulk of the population still lived. Historians debate how rapid these changes were. One school, led by French scholars such as Georges Duby, Pierre Bonnassie and Guy Bois, speak of la mutation de l’an mil, arguing that the change was rapid, occurring within a generation in each part of Europe it reached. Perhaps this reflects the French tradition of revolution? Others, including most Anglophone historians, imagine a more gradual almost imperceptible transformation taking place over, perhaps, as much as two hundred years. Again, this may reflect our recent experience of constitutional change. The world before the Feudal Revolution was a world of lords and peasants. Most land was held by free farmers who owned riding-horses and weapons and who supplemented the labour of their families with that of slaves. Serfdom existed but was largely confined to the greatest estates, in most areas only those belonging to the King or the Church. Elsewhere in the land lords wanted not rents and renders from their men, for there were as yet no towns and few opportunities to spend surplus income, but their support in legal and military activities. They had no need for craven and malnourished subjects they could rackrent, but for men who would ride with them to court and battle.

One of the by-products of the Feudal Revolution, when it came, was an explosion in the production of texts. Initially an education that included reading and writing was still largely provided by the Church and most writers were in Holy Orders of some sort but the increasingly complex economic world with which the clergy were now engaged led to a much greater degree of integration with secular society. Secular interests thus began to impact more on literary production. Complex theology continued to attract much attention from some writers but others produced works on history, administration and even texts written largely for entertainment. One of the new genres which took off in the course of eleventh and twelfth century was the secular biography. Prior to this the vast majority of lives were written as hagiographical exercises to promote the cult of a man or woman considered to be a saint. In the eleventh century several German kings and William the Conqueror were the subjects of such secular biographies and in the early years of the twelfth century we see lives appearing for Louis VI of France and Roderigo de Vivar, El Cid, amongst others. In the same period the terse annalistic chronicles of the earlier period which recount little more than the deaths of kings and prelates and the occasional battle (sometimes without even giving the result) are replaced by complex reflective histories in which the authors are not afraid to voice their scepticism for some of their source material.

This transformation of the textual record is, to a great extent, what separates the Dark Ages from the later period. The paucity and terseness of the earlier source material makes it very difficult to get a sense of distinct personalities or indeed the balance of individual contribution as against Zeitgeist in historical process. The decline of the ‘Dark Ages’ as a paradigm in modern scholarship largely reflects the shift away from ascribing historical change to individual agents and instead to focussing on underlying tensions in society and long term process. So long as one eschews interest in the contribution of individuals in anything other than theological debate then one can shed light on the Early Middle Ages. Sarah Foot, the Regius Professor of Ecclesiastical History at the University of Oxford, has thus set herself a Herculean task in attempting to write a 250 page biography of an Anglo-Saxon king whose fifteen-year reign is recounted in the Anglo-Saxon Chronicle, our best narrative source for the period, in only 84 lines of the printed edition, 73 of which comprise a single poem dealing with a battle which lasted a single day. At the outset Foot describes Æthelstan, the First King of England as ‘a biographical treatment’ ‘rather than an examination of Æthelstan’s life in the context of his times’ (p.3). There can be no doubt that Foot’s subject, Æethelstan, who reigned from 924 until 939, is a worthy one. It is common now to identify him as ‘the grandson of Alfred the Great’ but for much of the middle ages he was at least as well regarded, perhaps even more highly, than his grandfather who attained his title of ‘the Great’ only in the thirteenth century. Alfred has benefitted since the late sixteenth century from the rediscovery and wide dissemination of a contemporary life written at his court while he still lived, by Asser, the Welsh Bishop of Sherborne. Asser’s Life of Alfred is unique as a secular biography from England before the mid-eleventh century and seems to have been inspired by, and to some extent modelled upon, one of its few rivals from the whole of Europe, Einhard’s Life of Charlemagne, written some seventy years earlier. Anglo-Saxonists have long been aware that but for Asser’s book Æthelstan, rather than his grandfather, might well have been the stand out pre-Conquest king. While Alfred’s direct rule never penetrated far north of the Thames, Æthelstan extended his realm as far as the Firth of Forth in 927, becoming the first King to rule all the English. 

Wednesday, 31 March 2010

An Irish History of Civilization

Dr Denis Casey writes:

A recent reading experience has left me with the feeling that perhaps I should emerge from under my cultural rock a little more often. The work that inspired this minor bout of introspection was Don Akenson's large two-volume An Irish History of Civilization (2005). That's right, An Irish History of Civilization; not A History of Irish Civilization. Akenson's intriguing work is not a history of Ireland or Irishness but a presentation of the Irish experience of world history in Talmudic form. In his preface Akenson suggests that his work is 'a collection of fictive short stories or, if you prefer, of Aggadah: very little in the way of Halachah here'.

Even from a purely 'ASNC' point of view his book is full of individually-titled pieces that provoke an examination of how we appreciate the materials with which we work and also our own relationship with them. For example, in 'The Beginning', on the passage graves along the Boyne, he remarks of their creators that 'these are a stone-aged people, but they are as far from being primitive as we are from being civilized' (vol I, p. 59). Certainly food for thought, especially when one reflects on the continuing controversy over the proposed route of the M3 motorway through the Tara-Skreen valley. In 'The Land', Akenson contrasts the pre-modern and modern Irish landscape and suggests that 'you've never been there even if you've lived there all your life' (I, p. 60). His brief tale focuses on changes such as deforestation, widespread enclosure of land, draining of lakes and consumption of bogs and concludes:

The Boyne Valley (from www. mythicalireland.com)

'So all the events that happen before, say, 1600, happen in a theatre that we have never visited, and are outlined against backdrops we can only intuit. When heroic chariot battles occur in the central plains, they are on a topographical scale now impossible to duplicate; when journeys in the northern drumlins and woodlands are mentioned, they take place in a claustrophobic tangle of scree and tree that is no longer tangible; and when an adventurer crosses parts of the far south or far north, he is frequently travelling and travailing across a desert waste where there is no fodder for horses, no grass, all is heather or bog and there are only tiny settlements, most of which the traveller can pass within a mile of and never know are there' (I, pp. 60-1).

One might go to the works of Frank Mitchell (The Shell Guide to Reading the Irish Landscape, Dublin, 1986) or Fergus Kelly (Early Irish Farming: a Study based mainly on the Law-Texts of the 7th and 8th Centuries A.D., Dublin, 2000) for a discussion of the medieval Irish landscape from a more 'scientific' point of view and find a great deal to contradict the details of Akenson's description, but to do so would be to miss the point of this particular piece of Aggadah. It is the overall thrust of the stories that is critical and, as Akenson wryly notes in his prefact, 'as far as mere accuracy is concerned, not all seeming errors in the text are accidental. Sometimes even the immortal Homer only pretended to nod'!