Dr Margo Griffin-Wilson writes
On 28 April the Department of Anglo-Saxon, Norse and Celtic
hosted French independent film-maker, Loïc
Jourdain, who screened his most recent Irish-language documentary I mBéal
na Stoirme / A Turning Tide in the Life of Man (http://widehouse.org/film/the-turning-tide-in-the-life-of-men/). The film recently won the prestigious Prix CIRCOM 2016 for the best documentary: http://www.circom-regional.eu/prix-2016.
Jourdain, a native of Brittany who is living in Ireland, has produced a number of Donegal centered documentaries, several of which explore the challenges faced by small coastal and island communities in Ireland and further afield in Europe. Filmed over a period of eight years, A Turning Tide in the Life of Man follows the journey of one fisherman from the Irish-speaking island of Inis Bó Finne, John O’Brien, who campaigns on behalf of the islanders (and minoritised fishing communities across the EU more broadly) to regain rights to the traditional catch. Jourdain's multi-layered film considers the impact of EU-level environmental management policies on this small-scale Irish-speaking fishing community; it also depicts the vulnerability of this and many other coastal fishing communities throughout Europe.
John O'Brien, Inisbofin fisherman (photo published with the permission of Loic Jourdain) |
Jourdain, a native of Brittany who is living in Ireland, has produced a number of Donegal centered documentaries, several of which explore the challenges faced by small coastal and island communities in Ireland and further afield in Europe. Filmed over a period of eight years, A Turning Tide in the Life of Man follows the journey of one fisherman from the Irish-speaking island of Inis Bó Finne, John O’Brien, who campaigns on behalf of the islanders (and minoritised fishing communities across the EU more broadly) to regain rights to the traditional catch. Jourdain's multi-layered film considers the impact of EU-level environmental management policies on this small-scale Irish-speaking fishing community; it also depicts the vulnerability of this and many other coastal fishing communities throughout Europe.
Jourdain follows O'Brien as he confronts shrinking access to
the seas and a diminished livelihood for himself, his family and fellow
islanders. The film moves seamlessly from Inis Bó Finne to Brussels, tracing
the long process of gathering support from other island communities across
Europe. O'Brien's meetings with
politicians, crushing disappointments and small victories are juxtaposed to
scenes of local rituals and festivities, which reveal the deep cultural links
between distant islands. Nothing is
'staged', giving the film a moment to moment pace and poignant human authenticity. The camera captures the natural beauty of
Inis Bó Finne in beautifully textured and subtle visual images, but does not
disguise the harsher realities. The
viewer is drawn into O'Brien's long, hard journey—the flights, trains, phone
conversations, heated debates—and finally, into the corridors of the European
Parliament and Commission. One is aware
of the passage of time and seeming endless political hurdles. And yet the
overall effect is not that of an unbridgeable gulf between Inis Bó Finne and Brussels,
but rather one of a real human encounter.
Joudain's film puts a face on the diverse, multi-lingual exchanges in
Brussels, where John O'Brien speaks in the European Parliament and
challenges EU fishing policies. Finally,
what emerges is a sense of the interconnection of all communities, large and
small, as we collectively face the depletion of our natural resources and the
rupture of our richly diverse linguistic and cultural communities.
The event was attended by a large audience of students,
faculty and members of the Cambridge community.
Joudain's remarks during the engaging Q&A session provided further
insight into the film project and the challenging issues it confronts. Jourdain's account of his own personal
experience of free and open access to filming during EU sessions was
particularly timely, and affirmed the opportunities for disagreement, debate
and collaboration within the European community. A member of the audience who
has been involved in European Union politics and human rights praised
Jourdain's work: 'The film was outstanding and has stayed with me since. I wish
hundreds more could have seen it. It is
a beautiful and powerful observation of how politics work at international,
national, community and personal levels, and how inspiring the actions of one person
joining with others can still be'.
Similarly, a Cambridge student from Northern Ireland remarked: 'Films
like these open up our perspectives, raising awareness of our place within the
patchwork quilt of European nations and cultures, with all the benefits that
such co-operation can bring.'
Filmmaker Loic Jourdain and Cambridge PhD student Natalie Morningstar |
Thanks are extended especially to Cambridge PhD student
(Anthropology) Natalie Morningstar, a student in the ASNC Modern Irish language
classes and recent recipient of the H.M. Chadwick Scholarship to support her
study of Irish in Donegal. Morningstar, who is researching Irish-language
multimedia and the politics of resource management, met Jourdain and proposed a
screening of the film at Cambridge University.
Her generous time and efforts in preparing for Jourdain's visit, and her
collaborative work with Dr Margo Griffin-Wilson (Teaching Associate in Modern
Irish) in organizing the event, is greatly appreciated. Our thanks are also extended to Gavin McHugh
for his technical expertise at the screening and Jen Pollard for her advice
during preparations. The event was
generously supported by the Cambridge Group for Irish Studies (Magdalene
College). The group's secretary, Conor Leahy, offered helpful assistance, and
Professor Máire Ní Mhaonaigh and St. John's College provided generous
hospitality. Most especially, we thank
Loïc Jourdain for
bringing this thoughtful and thought-provoking film to Cambridge University.