Showing posts with label Scotland. Show all posts
Showing posts with label Scotland. Show all posts

Tuesday, 21 May 2013

Report: The Orkney Viking Heritage Project Field School

Dr Brittany Schorn writes:

From April 14 to April 20, Kirkwall hosted the field school of The Orkney Viking Heritage Project. Eight current (and three former) members of the ASNC Department travelled to Orkney together with fellow students and colleagues from the universities of the Highlands and Islands, Oxford, Nottingham, Aberdeen, Glasgow, Birmingham, Cardiff, York and Kings College London. The Orkney Viking Heritage Project is an AHRC-funded interdisciplinary training programme. It brings together scholars and heritage professionals to explore the literature, history and material culture of Viking Orkney and provide hands-on experience of a heritage landscape.

[photo credit: Nicola Lugosch]

During the course of the week, we saw viking grafitti on neolithic monuments at the Ring of Brodgar and the spectacular burial chamber of Maeshowe, and visited the ruin of St Magnus Kirk on the small island of Egilsay where Earl Magnús was killed, along with the imposing St Magnus Cathedral, which St Rögnvaldr established on the Mainland.

[St Magnus Kirk, photo credit: Bernadette McCooey]

Through presentations, discussions and excursions, we reconsidered medieval texts and artefacts in situ in order to contextualise our understanding of the past within the reality of the physical landscape. With the help of local academics, heritage professionals and Orkney residents, we also explored how this past, and modern perceptions of it, continue to inform the way current islanders define and relate to the landscape around them.

For more information on the project, including our blog, photos, podcasts and other resources, see the Orkney Project website. You can also find information about our travelling exhibition, which made its first stop at the Midlands Viking Symposium at the University of Nottingham on April 27.

Wednesday, 18 July 2012

Iron Age Inverness


Philip Dunshea writes: 

News in from Inverness, in what later became northern Pictland, where archaeologists have unearthed evidence for iron-smelting and iron-working in a late prehistoric context.

Iron was a valuable and coveted product in medieval and pre-medieval Scotland; by way of illustration, there is a classic ‘dog-in-a-manger’ anecdote from the end of the first century A.D., when the Romans were grappling with the issue of what to do with the recalcitrant peoples of the Highlands. In the wake of the famous battle at Mons Graupius, Agricola and his troops built a 22-hectare legionary fortress at Inchtuthil, near present-day Blairgowrie, on the hinge between Strathmore and Strath Tay. But the site was abandoned a few years later, seemingly in a hurry, and ten tons of iron, including over a million nails, were buried in a deep pit inside the fort. Clearly the departing troops lacked the time or the means to transport such an impressive stockpile away with them, but were under strict instructions not to let any of it fall into the wrong hands.

But then the natives were also quite capable of making the stuff for themselves, and had been doing so for many centuries. At Beechwood Farm to the east of Inverness, where new buildings for the University of the Highlands and Islands are under construction, archaeologists have come across the remains of an ironworking hearth, an early form of the ‘bloomery’ used to smelt iron before the invention of the blast-furnace. The structure is surrounded by deposits of slag, the waste-product formed at various stages of smelting and smithing. Its discovery marks another contribution to our understanding of how society and economy operated around the Moray Firth, one of the crucibles of Scotland’s pre-history.

Map of the Moray Firth, © Wikipedia Commons

Power was visibly concentrated in this corner of Scotland in the early-historic period: forts like the massive enclosed promontory at Burghead, and later monasteries such as the celebrated foundation at Portmahomack on Tarbat Ness, speak of a society ruled over by potentates with extensive command of resources and populations. This ‘landscape of power’ can be traced in various manifestations until the onset of the Viking Age: the lands around the Moray Firth have one of the highest concentrations of Pictish sculpture in the whole country, and if we take Adomnán’s Life of Columba at face-value, it was from here that king Bridei ruled over a wide hegemony in the mid-sixth century. Bridei’s ‘capital’ may have been located at the hillfort on Craig Phadrig, just to the west of modern Inverness. When the region finally emerges in the slight documentary evidence for the seventh and eighth centuries, it is under the name of Fortriu – of all the divisions in the murky political landscape of Pictland, it is by far the best attested.

All this must have entailed resource control, principally in terms of agricultural produce and livestock. But over the last decade or so it has become increasingly clear that the lands at the north-eastern end of the Great Glen were also home to a number of centres for proto-industrial activity. There was a major hub for iron production at Culduthel, to the south of the city, where among a cluster of roundhouses many of the structures were found to contain hearths similar to that unearthed at Beechwood, their floors fused with a crust of iron slag.  Nearly two hundred finished iron artefacts – mostly weapons and tools for working wood, leather or metal – were recovered from the site, along with a quarter metric tonne of iron slag.

At another site at Dornoch, thirty or so miles to the north, similar activity continued into the viking period and beyond (a new forge was erected there as late as the fifteenth century). But the sequence is now being extended further back as well. There is a bloomery furnace near Forres dated to between 400 B.C. and 100 A.D. Carbon-dates provided so far at Beechwood Farm suggest that smelting activity took place between 400 and 100 B.C. – that is, in the pre-Roman Iron Age.  In this respect, the cumulative impression is one of considerable economic continuity in the region.

All of this begs the question of where the iron ore came from (the only other raw ingredients needed for ‘bloomery’ smelting are wood to burn, and a good water supply). The Romans had plenty of iron mines in Britain, and most of their ore came from the Weald of Kent and the Forest of Dean. As for Scotland beyond the limits of empire, there are (or were) rich deposits of iron ore – on the island of Raasay, for instance, over on the west coast. Haematite and magnetite is found in small concentrations in the older schist and gneiss rocks of Skye, Shetland and Kishorn. None of these are known to have been mined before the seventeenth century, however, and it is thought that virtually all of the iron smelted in earlier times was produced from a regenerative source called ‘bog iron’. This typically forms where iron-bearing ground water rises to the surface, where (possibly aided by bacteria) an oxidised crust of iron ore forms. After ‘harvesting’ the crust can reform within as little as two decades – a superb example of a renewable resource being exploited in a proto-industrial context.

Formation of Bog Iron, photograph © United States Geological Survey Commons

Elsewhere in Scotland, there is a definite link between metal-working and aristocratic (or even royal) status in the early historic period, for example at Dunadd, in Argyll, or at Whithorn and the Mote of Mark in far-off Galloway. Jewellery manufacture, at any rate, and other forms of advanced metal work, were the preserve of the elite (including the clergy) and the craftsmen they controlled. Smelting presumably took place in situ, with the traces usually found nearby. The earlier examples in Moray are in some respects no different: the Culduthel furnaces surround one of the largest roundhouses ever found in Scotland, twenty meters in diameter, and there is evidence at the site for prestige activities like glass production and bronze-working. But there are also signs, at Dornoch, that iron smelting sometimes took place in a rather cosy domestic context, perhaps little separated from the supply and preparation of food. How the Beechwood furnace fits into this wider picture remains to be seen.

Wednesday, 2 May 2012

The Churches of Pictavia, and other Hughes-related matters

Dr Elizabeth Boyle writes:

The Department of Anglo-Saxon, Norse & Celtic, in association with Hughes Hall, was delighted to welcome Dr Alex Woolf, of the University of St Andrews, to deliver the 2012 Kathleen Hughes Memorial Lecture on Monday 30th April. To a packed audience, on a lovely sunny evening (after several days of relentless rain), Alex gave a succinct, engaging and up-to-date overview of scholarship on the nature and structures of the Church in the Pictish kingdoms up to the end of the ninth century. Having brought the audience into his intellectual fold, he then proceeded to make some very stimulating - and, to my mind, convincing - arguments regarding some sources for the iconography of late Pictish ecclesiastical art, and we certainly look forward to seeing those arguments developed in print next year.

 Cambridge, Corpus Christi College MS 197B - a Northumbrian gospel-book whose stylistic influence is visible on many Pictish inscribed stones (image courtesy of the Parker Library, Corpus Christi College)

And speaking of things in print, we were pleased on Monday evening to celebrate the publication of two previous Hughes Memorial Lectures, in the presence of their authors, namely Professor Marie Therese Flanagan (Queen's University, Belfast), Reform in the Twelfth-Century Irish Church: A Revolution of Outlook? (the 2010 Hughes Memorial Lecture), and Professor Thomas Charles-Edwards (University of Oxford), St Patrick and the Landscape of Early Christian Ireland (the 2011 Hughes Memorial Lecture), which are now available to buy from the Department of Anglo-Saxon, Norse & Celtic for the princely sum of £5 each.

Monday, 16 April 2012

Kathleen Hughes Memorial Lecture 2012

The 2012 Kathleen Hughes Memorial Lecture will be delivered by:

(University of St Andrews)

on the subject of:
'The Churches of Pictavia'

Monday 30th April, 5.45pm
The Pavilion Room, Hughes Hall, Cambridge

All welcome. The lecture will be followed by a drinks reception.    

Saturday, 18 February 2012

AHRC awards money for skills training in Viking Studies

The Arts & Humanities Research Council has awarded a grant of £45,000 to the Universities of Oxford, Cambridge, Nottingham and the Highlands and Islands for a skills training programme for PhD students and Early Career Researchers in the field of  Old Norse-Icelandic and Viking Studies: Extending Academic Research about the Viking Diaspora and its Heritage in the British Isles.

This project addresses the skills gap in the AHRC's strategic area of Heritage and engages with the emerging theme of Translating Cultures. It comprises a preparatory workshop bringing together academics, young scholars and heritage professionals, followed by a field school in Orkney, providing hands-on experience of a heritage landscape.

Wednesday, 1 February 2012

In search of Carn Droma: exploring the boundaries between Picts and Gaels

Philip Dunshea writes:

‘Reconnaissance walking’ is seen by modern archaeologists as a preliminary technique before proper field-surveying gets under way: a fairly casual way of assessing whether a site is worth investigating. But for much of the twentieth century it was a big part of the business for many medievalists. The list of the great walkers is a long one but honourable mention must go to O.G.S. Crawford and Margaret Gelling

Gelling, a toponymist who eventually became president of the English Place-Name Society, spent countless hours bush-whacking across woodlands and fields, tracking contour lines and fluvial patterns, all in an effort to make herself as familiar with the intricacies of the English landscape as her beloved Anglo-Saxons must have been. Crawford, meanwhile, was wrapped up in what he believed was a personal crusade to survey and catalogue Britain’s heritage before it was swept away forever by modernity. Crawford knew that history and maps were inseparable, and as the Ordnance Survey’s first History Officer, he was well placed to follow this conviction. One of his lasting contributions to archaeology was in pioneering the use of aerial photography.  To both Gelling and Crawford the legacy of the past (pre-historic, Roman and medieval) was there to be read in the landscape.

Over the last few decades, in common with every other academic discipline, early-medieval archaeology and early-medieval history have become so specialised in their own right that it’s now almost impossible to maintain an expert presence in both fields.  Nowadays most historians in the ASNC line of work restrict themselves to libraries, largely because they’re dependent on work by philologists and other people who know more about the source-texts than they do. Archaeologists (or the dwindling cohort of archaeologists who don’t yet work in laboratories) have the great outdoors to themselves.   

This seems neither fair nor justified. In the early medieval period the lie of the land must have had a vastly greater impact on day-to-day life than it does for us today. In many ways the texts studied by ASNaCs are just as rooted in the physical environment as any material remains, and this was brought home by some recent work I’ve been doing on the early-medieval significance of Scotland’s watershed divide.  The research was all supposed to be focussed on a topographical feature called Druim Alban (the ‘Ridge’ or the ‘Spine of Alba’) which was understood to mark the frontier between the Picts (in the east) and the Scots of Dál Riata (in the west). In all contexts it is clear that the term refers to a mountain range – but which one?

Druim Alban (photo credit: Philip Dunshea)


Tuesday, 6 December 2011

Varia

At the 2011 E. C. Quiggin Memorial Lecture on Thursday 1st December, we were delighted to launch our latest Quiggin Pamphlet, based on last year's lecture. Professor Liam Breatnach, of the Dublin Institute for Advanced Studies, is the author of the most recent of our famous green pamphlets, entitled: The Early Irish Law Text Senchas Már and the Question of its Date, E.C. Quiggin Memorial Lectures 13 (Cambridge, 2011). The pamphlet is available to buy from the Department for the sum of £5, including postage. And while we're advertising our publications, might we remind you that our Chadwick Lectures and Hughes Lectures are also available for purchase.

Dr Elizabeth Boyle has been awarded a two-year Marie Curie Fellowship for 'Experienced Researchers in the Historical Humanities', in the Gerda Henkel Stiftung/M4HUMAN programme. Beginning in October 2012, Dr Boyle will spend time in the Department of Early and Medieval Irish at University College Cork, working on a book which is provisionally titled 'The End of the World? Apocalyptic Expectation in Eleventh-Century Ireland'.

And finally, we'd like to draw your attention to some interesting archaeological finds in Scotland, made by the Rhynie Environs Archaeological Project, which will undoubtedly have an enormous impact on our understanding of early medieval Pictish society.

Friday, 21 October 2011

More ASNC-related news stories

The BBC reported yesterday that funding has been secured to conserve the Nigg cross-slab.

Also, to celebrate the discovery of the Ardnamurchan Viking boat burial, ASNC's Dr Elizabeth Ashman Rowe was on BBC Radio 4's 'World at One' news programme, reading some suitable Skaldic verse in Old Norse and in English translation (skip forward to 0:28:50. N.B.: the BBC iplayer facility is not available in all countries, and programmes can only be heard for 7 days after broadcast).

Wednesday, 19 October 2011

ASNC-related news stories

Many of you will have seen the news about the Ardnamurchan Viking boat burial. On a somewhat related note, Fintan O'Toole continues his 'history of Ireland in 100 objects' in The Irish Times and enters the Viking Age. Previous articles by O'Toole in this series have covered the medieval Irish high crosses and an eighth-century crucifixion plaque. Rather belatedly, we also draw your attention to the news about the Oxford Viking massacre site, which was reported in the BBC a few months ago.

Thursday, 12 August 2010

Pictish symbols

Phil Dunshea writes:

The mysterious carved symbol stones which cover Scotland north of the Forth-Clyde isthmus have always possessed a rather otherworldly quality. The people who left them – known to the Romans as the Picts, or ‘painted ones’ – disappeared from history in the tenth century, when they were effectively subsumed into the medieval kingdom of Scotland. By the twelfth century the Picts had acquired near-mythical status:

“Who will not espouse love of celestial things and dread of worldly things, if he considers not only that their kings and princes and people have perished, but also that at the same time their whole racial stock, their language and all remembrance of them have disappeared?”

The stones they erected, ornamented with elaborate swirling motifs and wild beasts, are best described as abstract. The examples with more intelligible pictures usually seem to depict conventional aspects of Dark Age aristocratic life: Christianity, hunting, warfare, land ownership and so on. But a new theory, put forward by Professor Rob Lee of Exeter University, suggests that there may be more to it than that. Lee and his team think these symbols might actually be a script, and that the stones are covered with writing. The media has pounced: “New Written Language of Ancient Scotland Discovered”, as the Discovery Channel’s website proclaims. Or “Ancient Language Mystery Deepens”, as the BBC more soberly put it.




Hilton of Cadboll replica (from Wikimedia Commons)

Why the excitement? It’s mainly because the Pictish language has always been something of an enigma. Other than their stones the Picts left very little trace of themselves (there is no surviving Pictish literature, for instance). Bede, a Northumbrian scholar writing at the beginning of the eighth century, makes it quite clear that the Picts did have their own language, but modern scholars have very little to go on in their attempts to work out what it might have looked like. Place-names and the names of Pictish kings (which occasionally appear in medieval texts) suggest that it was a Brittonic language, part of the same family as Welsh. That might imply that the Picts had not always been all that different from the rest of the Brittonic-speaking inhabitants of Britain, who once stretched from Cornwall to Lothian. It may only have been with the coming of the Romans, and their famous walls, that anything became distinctively ‘Pictish’. Clearly the Welsh and Pictish languages were different by Bede’s time, perhaps because the latter had been isolated long enough for it to develop along different lines. Without a more extended sample of Pictish writing, however, there is not much more that can be said.

Friday, 29 January 2010

Iron Age gold in the National Museum of Scotland

ELB  writes:
While in Edinburgh for the purpose of giving a seminar in the Celtic and Scottish Studies department of the University, I found time to see the display of four recently-discovered Iron Age gold torcs at the National Museum of Scotland.

 
gold torcs, from the National Museum of Scotland website

The torcs are on public display for another week or two, after which they will be taken to be valued under the Scottish law of Treasure Trove; following this, they will be allocated to an appropriate museum. The torcs, which were discovered near Stirling by David Booth during his first outing with a metal-detector, are beautiful, and while two of them appear to be of native origin and design, the other two are not. Of those, one, which survives in two fragments, is of French origin, possibly from near Toulouse, and provides evidence either of international trade, or the movement of people or prestige objects, between Continental Europe and the region which is now Scotland, in the period c.300-100 BC. The fourth torc is even more interesting, and, according to the National Museum, is unique.

 
detail of torc, from National Museum of Scotland website

The shape of the fourth torc is characteristic of designs found in north-west Europe, but we are told that the craft skills used to make the torc suggest a goldsmith trained in the Graeco-Roman world. The implications for our understanding of international trade, and the exchange of prestige objects, in pre-Roman Britain are yet to be fully understood, but this exciting find, while not as large as the Anglo-Saxon Staffordshire Hoard, is surely just as significant, albeit for an earlier period. If you're in Edinburgh before 10th February, I highly recommend taking a look at these breathtaking finds.

Sunday, 17 January 2010

Men went to Catraeth...

Dr Mark Williams writes:

This term some of the Part II students will be looking at the supposedly Old Welsh poem, or rather set of elegies, known as Y Gododdin. It's an opportunity for them to immerse themselves within the knottinesses of a particularly tricky body of material, which is bedevilled by serious textual difficulties.

The standard account of the poem is that its core consists of a series of brief elegies upon the warriors of the Gododdin people of south-eastern Scotland. This was a British (that is to say, Brythonic-speaking) tribe, one of the kingdoms of the 'Old North' which fell, one by one, to the Anglo-Saxons. The poem is supposed to have been composed around the year 600AD by one 'Neirin' or 'Aneirin', to commemorate the fallen warriors of the Gododdin who fell in a disastrous raid deep into enemy Angle territory. The internal narrative of the poem suggests that the ruler of the Gododdin, the otherwise-unattested Mynyddog Mwynfawr, gathered warriors from his own territory and the rest of the Brythonic world, and feasted them in his hall at Edinburgh for a year. His return for this was their unquestioning loyalty to him, even to the death. As the poet says, 'they drank pale mead, and it was poison...' Mynyddog's plan, it seems, was to mount a raid upon the strategic settlement of Catraeth in Yorkshire, modern Catterick, and to retake it from the enemy. According to the poem, all the three hundred splendid, gold-torqued warriors perished.

So far, so unfortunate. The text, however, only survives in a Welsh manuscript that dates from the 13th century, some 700 years after the poem's presumed date of oral composition, 'betwixt which regions', as Shakespeare put it in The Tempest, 'there is some space.' Within this tiny manuscript, known as the Book of Aneirin, at least two strata of text are discernible, known as the A-version and the B-version, and within these we find doubled or even tripled stanzas. (That is to say, variations of the same lines crop up separately in the A and B versions.) The A-version is clearly more 'modern' than the B-version, which alerts us to the fact that the texts have been copied and recopied between the 7th and the 13th century. One version of the poem seems to have circulated for several centuries in the British kingdom of Strathclyde, before passing to Wales around 800AD; but another seems to have reached Wales soon after the total collapse of the Gododdin kingdom in 638AD, hence the two widely differing versions. And at each layer of oral transmission and copying, scribes and reciters chose (sometimes) to update lines or phrases which were becoming too archaic to be comprehensible to them. New stanzas may have been rustled up, so that the poem is like a comet, streaming through time and continually gathering new material into its wake. It's like the old question about the car which has been so patched-up that no part of it is original - is it still the 'same' car? What relation does the poem as we have it in 13th century dress bear to the poem that Aneirin may have composed 700 years before?